Explaining POV to New Writers

Written by Lisa Hislop | Copy edited by Lisa Guglielmi

In this article, Lisa shares how to help new writers understand and choose suitable points of view. You can attend Lisa’s session, Helping Your Author Pick a POV That Pops, at the 2024 Editors Canada Conference.

When a writer asks me to explain narrative point-of-view (POV), they’re not looking for a definition. They’ve done their research and understand the main differences between first-person and third. Where they’re stuck is the glossary of associated terms: limits of perception, degree of objectivity, narrative distance, and narrative bias. They want to know how these aspects relate to each other and the POV they’ve chosen for their story. 

To give them a complete grounding, I invite them to translate the POV of a story, which I’ll illustrate here for you to use in guiding your writers.

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Transform Your Business by Talking to Your Clients

Written by Erica Machulak and copy edited by Mahima Bhagwat

This blog post is a teaser for the author’s workshop session at the 2024 Editors Canada Conference. Register online to attend “Face Time: Transform Your Business by Talking to Your Clients” and join us as we test drive the ideas below with practical exercises and discussion.

If you hope to grow your business, raise your rates, and discover new services that you might offer, my best advice is that you meet with every new client before you agree to work with them. This initial conversation sets the tone for your future work together and gives you valuable information before you commit to the project. When clients get to know you, they are more likely to hire you again, refer their friends, and come to you when they need something different from what you have already provided.

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In Conversation with JJ Lee: The Art and Business of Memoir Editing

In this candid interview, JJ Lee guides us through the tricky waters of memoir editing. From the mentoring skills needed to do the job to identifying an author’s narrative springboard, JJ’s insights can help enhance any editor’s toolkit.

A black and white photo of JJ Lee
JJ Lee

WCE

Let us start. How do you approach storytelling and personal narratives in your work? And what drew you to the nonfiction genre?

JJ Lee

Oh, that’s a three-part question. What drew me to nonfiction is my background. When I was approached to start writing, I was already a radio journalist and had started participating in semi-experimental programs like Outfront at the CBC, where they were bringing in first-time broadcasters to do small 15-minute documentaries. I challenged a former Globetrotter, Mel Davis, to one-on-one basketball, then I did a documentary called “Typewriter Guy” and another one, “Sing Like Marvin.” That began my role of jumping in and doing things. 

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Editors BC Student Networking Event

What: Student networking event for Editors BC student affiliate members

When: Saturday, May 11, 2024, 11:00 am to 12:30 pm PDT

Where: Online through Zoom

Cost: Free

Image credit: 123rf/monkographic

You’re invited to a 90-minute online networking event on Saturday, May 11, to meet other student affiliates, share your knowledge and successes, and learn from your peers.

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Volunteer Spotlight: Meghan Fandrich 

Editors BC is proud to spotlight our March volunteer, Meghan Fandrich. Our volunteer coordinator, Justin Chevrier, asked Meghan a few questions.

Image credit:  Shelanne Justice Photography

What is your dream vacation destination? Why?

If I could, even just for a day, I would go home: home to Lytton, to the vibrant little village that existed before the fire. I would walk down the tree-lined street with my daughter, who celebrated her sixth, seventh, and now eighth birthday on the edge of a burned-up town. We would visit my art café and the neighbour’s ice cream shop, look up at the mountains, and our hearts would fill up. I can’t imagine a better place.

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Editors BC General Meeting: New Guest Speaker and Presentation Topic

When: Wednesday, April 17, 2024, 7:30–8:30 pm PDT

Where: Online through Zoom

Cost: Free for Editors Canada members, $10 for non-members, $5 for student non-members

Food and travel writing: A journalist’s story

Don Genova’s editing experience has ranged from being severely edited (his first-ever story for the Toronto Star) to editing student writing in his Food and Travel Writing course at UBC. Along the way, he’s trained new journalists in supervisory roles and judged many writing competitions for various food and travel writing organizations. 

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